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                           Yeah, here we stand or here we fallHistory won't care at all
 Make the bed, light the light - eah
 Lady
                           Mercy won't be home tonight
 
 Yeah, you don't waste no time at all
 Don't hear the bell but you answer the call
 It
                           comes to you as to us all
 Hey, we're just waiting
 For the hammer to fall - yeah
 
 Oh every night, and every day
 A
                           little piece of you is falling away
 But lift your face, the western way, baby
 Build your muscles as your body decays,
                           yeah
 
 Toe your line and play their game
 Yeah, let the anaesthetic cover it all
 Till one day they call your name
 You
                           know it's time for the hammer to fall - yeah
 
 Rich or poor or famous
 For your truth it's all the same - oh no, oh
                           no
 Oh, lock your door but rain is pouring
 Through your window pane - oh no
 Yeah, baby now your struggle's all vain
 Oooh oooh oooh oooh oooh
 
 For we who grew up tall and
                           proud
 In the shadow of the mushroom cloud
 Convinced our voices can't be heard
 We just wanna scream it louder, and
                           louder and louder
 
 What the hell we fighting for?
 Ah, just surrender and it won't hurt at all
 You just got time
                           to say your prayers
 heh, while you're waiting for the hammer to, hammer to fall
 Hey, yes - it's starting to fall
                           eh, hammer, you know
 Yeah, hammer to fall - wooh, ah, hey, eh woowoo, haeh hammer
 Waiting for the hammer to fall baby
                           - yeah
 Yeah while you're waiting for the hammer to fall
 Give it to me one more time!
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                                             | Una delle due copertine del singolo "Hammer To Fall" (1984) |  
 
   NOTE: Tratto dall'album "The Works",
                                    1984. Il singolo raggiunse l'8° posto nelle classifiche inglesi. Per questo tour, il brano viene suonato con un arrangiamento molto diverso; la prima parte viene eseguita
                                    come una ballata (con Brian May alla voce), per poi sfociare nel classico riff dell'originale nella parte finale
                                    (cantata da Paul Rodgers o da Roger Taylor, a seconda del concerto).  
                                    
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